Posts Tagged ‘adobe’

Get The Most Out Of Your Photos With Photoshop Elements Training

Friday, March 19th, 2010

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If you want to make your photos really outstanding, the right Photoshop training for you is Adobe Photoshop Elements 5. Photoshop Elements lets you easily correct flaws and adjust color and lighting in digital photos; arrange your photos in layouts that let you set up Internet photo galleries created with Flash technology; and view all your videos and stills in one place. At a price around U.S. $100, Photoshop Elements is a great place to start if you’re interested in mastering the art of digital editing and compositing.

Perhaps you simply enjoy playing with video and photos on the Internet; Photoshop training can take your hobby to the level of professional excellence and quality. Online self-study courses with instructor-guided training are a tremendously effective and fun way to master Photoshop skills in a hurry. If you’re just getting into photography or videography, Photoshop training is the most powerful path to career success and personal fulfillment.

Adobe Photoshop Elements is an inexpensive program containing all the tools you need to correct, enhance, organize, and share your photographs. Photoshop Elements 5 training will introduce you to the interface or welcome screen, the browser that acts as the pathway into the whole package; the organizer, or file-management tool; and the editor, used to correct lighting, resize images, and remove red eye. Photoshop Elements 5 also lets you put together professional-quality slide shows and build digital scrapbooks.

One of the biggest problems that novice photographers face is color correction. By using the Adjust Color Curves tool, it’s easy to correct common color problems with Photoshop Elements 5. The amazing thing about Photoshop is how much it can do. I love to jump into a new program and feel my way around, experimenting to see what I can do. But without Photoshop training I quickly reach a barrier where my intuition and experience cannot help me from running up against the same problems over and over-I don’t know what to do when the color is wrong, the photo looks drab compared to colors in the photographed scene, or an exposure problem makes the photo look too dark or too light.

Expert Photoshop training will teach you everything you need to know to create professional images: how to create special effects, how to sharpen the contrast of your photos, and how to correct common problems like color halos and digital noise.

The The writer of this article is a training consultant with OnSiteTrainingCourses.Coms, a UK IT training company offering Adobe Photoshop Classes in London and throughout the UK.

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Source Appropriate Adobe Photoshop Training

Tuesday, March 16th, 2010

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With so many new software programs available every day, knowing which product is the right one can be quite a task. I have a feeling that many people steer away from learning how to use new software because the whole selection process can be so intimidating. If you’re new to the wonderful world of digital editing and compositing, you need look no further: Photoshop is the industry leader, no matter what your specific field of interest might be. Photoshop is the software of choice for professional designers, as well as for amateur photographers and You Tubers.

One of the nicest things about Photoshop is that the user interface has changed little over the years, which makes it easy to upgrade from earlier versions. If you have learned how to use a version like Photoshop 6, check out the upgrades available for Photoshop CS4. Then sign up for advanced Photoshop training to see how CS4 can help you reach your full potential.

Perhaps you are a photographer or just starting to experiment with online video and digital imaging; if so, a good place to start is Photoshop Album Starter Edition 3. This software is free, so it’s a great way to learn the fundamentals of digital photography. It will teach you all the basics about how to view, manage, correct, and share your photos online. Photoshop training will teach you how to fix common problems with a single click, and then you can use Photoshop Album Starter to send your digital photos to mobile handsets. The best thing about Photoshop Album Starter is that it’s a fully functional download-it’s not a trial evaluation download that will be restricted or limited after an initial period. Photoshop is dedicated software-the choice for professionals in a broad variety of fields. But Photoshop training makes it easy for novices to start creating professional designs and visual effects with Photoshop CS4. To get the best results in the least amount of time, sign up for an online Photoshop training course that will show you how to do things you didn’t know were possible.

Advanced Photoshop training focuses on how to create complex images; it will teach you all the skills you need to master digital image creation, editing, and compositing. One of the best things about Photoshop CS4 training is that it shows experienced users how to quickly solve old problems with new tools and techniques. Advanced Photoshop training will give you new techniques for solving problems like image selection and image correction.

If you are still using an old version of Photoshop, check out the upgrades that are available and sign up for an advanced Photoshop CS4 training course. Advanced Photoshop training will teach you how to:

- Achieve more professional results with layers, gradients, and other tools. - Use advanced color correction techniques. - Enhance images with layer masks. - Master the tools and skills necessary for creating professional composite images.

Sign up today for the Photoshop training course that’s right for you.

The writer of this article is a training consultant with a UK IT training company offering Photoshop training courses as well as Adobe Acrobat training at their central London training centre.

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How Photoshop Training Can Alter Your Perspective

Wednesday, March 10th, 2010

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The first time I got a taste of Photoshop training, I was producing an animated film for an independent production studio in Merida, Mexico. That was in 1995. We were using Adobe Photoshop 3.0 on Mac computers-state of the art. I was amazed by what graphic designers and digital editors were doing with Photoshop 3. Working with those people changed the way I saw the world.

I’m not a visual effects editor or a graphic designer by profession. I was in awe of what Photoshop artists were doing with Photoshop 3.0 back in 1995, and I’m equally in awe of what artists are doing today with Photoshop CS4.

I didn’t regard myself as a visually oriented person when I saw Photoshop in use the first time. I thought I was, but I wasn’t-not when I compared myself to the people who were doing such amazing things with Photoshop. I was managing, organizing, planning, attacking logistical problems, taking care of the business end, writing and editing a lot of text in English and Spanish. We were working long days and at times longer nights. I was inspired by what the Photoshop editors were doing. We were using Adobe Photoshop to color and composite animation frames, as Disney did in its animated version of Beauty and the Beast two years earlier.

I made a point of sitting next to the Photoshop artists whenever I had a chance. Watching them at work gave me a much deeper understanding of how to use color and how to balance elements in a composition. This inspired me to become bolder and more artistic in my use of graphic images to add value to my text jobs and presentations. I wasn’t doing them with Photoshop, but I was getting more out of all my familiar programs by what I had learned about design, color, and composition from the Photoshop artists I had been working with.

Observing Photoshop artists and digital editors changed the way I saw the world; I was becoming a more visually oriented person. And it seeped into everything I did-even the way I laid out text on a page. I developed a much keener sense of how to compose text as I became more aware of the elements of graphic composition. One area made me stronger in the other.

It doesn’t matter whether you’re a novice or an experienced Photoshop user, there’s a level of Photoshop training that’s right for you. If you’re just getting started, an introductory Photoshop training course will give you the fundamental skills you need to get the most out of your photos and videos.

I guess it’s unlikely that I will ever master Photoshop the way those graphic artists and digital editors had mastered Photoshop 3 back in 1995. When you sign up for Photoshop training today, you’ll be on your way to mastering Photoshop CS4. Even if you’re still a novice like me, Photoshop training will add tremendous value to your life-it might even change the way you see the world.

Author runs Adobe Photoshop CS4 training courses and Adobe Illustrator training all over the United Kingdom.

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Getting To Grips With Adobe Photoshop’s Magic Wand Tool

Friday, September 25th, 2009

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The Magic Wand is one of three tools in Photoshop which are dedicated to making selections. When I run courses on Photoshop, tools like the magic wand and the clone tools are usually the ones which everyone finds the easiest to start using because they give such immediate results. The Magic Wand works by selecting colours within the image adjacent and similar to any pixel that you click on. Pixels of dissimilar colour act as barriers to selection and so the selection ripples outwards from the point you click on.

As you can imagine, you will not normally completely select your intended subject with one click when you are using the magic wand to make selections. Typically, you will select part of the area that you want and you will then need to add and subtract from the selection, perhaps switching to the other selection tools from time to time. Photoshop offers you two ways of modifying a selection: you can either use modifier keys on you keyboard or activate the modifier icons on the options panel normally displayed below your menu bar.

To subtract from the selection, hold down the Alt key and click on the part of the selection which you wish to deselect. To add to a selection, hold down the Shift key while clicking with the Magic Wand on a part of the image which is not yet selected. The selection modifier icons are situated on the left of the options panel at the Photoshop interface. There are four of them: new selection, add to selection, subtract from selection and select intersection. These icons effectively allow you to change selection mode on a permanent basis. Thus, for example, you could click on the second of the four icons when using the Magic Wand and click continually on different parts of a subject until it was completely selected.

A simple trick for selecting a subject against a uniform background such as a wall or the sky is to use the magic wand to select the background and then invert the selection by choosing Select - Inverse. A slight variation on this technique is to make a rough selection which completely encloses the subject as well some of the background and then to use the Magic Wand in subtract mode to remove the background from the selection.

Sometimes, you will find that the Magic Wand either selects too many or too few pixels for your purposes. The number of pixels which the Magic Wand selects when you click on part of the image can be controlled by changing a setting called tolerance. Tolerance determines how far a pixel can vary from the pixel that you click on and still be included in the selection. The default tolerance is 32 and the maximum is 255.

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Photoshop CS4’s Magnetic, Polygonal and Freehand Lasso Modes

Thursday, September 24th, 2009

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There are three main tools for making selections in Adobe Photoshop: the Marquee, the Magic Wand and the Lasso. The Lasso is one of those tools with several options. To reveal the different modes it offers, click on the tool and hold. The three different modes of the Lasso are freehand, polygonal and magnetic.

Freehand mode, as you can probably imagine, puts the onus on the user to manually trace the shape of the area to be selected. If using a mouse, it requires a steady hand; not to mention a decent mouse. This mode works best if used in conjunction with a graphic tablet where the mouse is replaced with a pressure-sensitive pen.

As the name suggest, Photoshop’s polygonal Lasso is used for drawing polygons, shapes made up of straight lines. This tool is great for selected elements in an image which have straight edges, such as boxed products, pillars and buildings. Unlike the freehand Lasso, where you hold the mouse button down as you outline the area to be selected, with the polygonal Lasso you simply click repeated around the area to be selected and Photoshop joins the points you click on.

Magnetic Lasso mode is the cleverest option that the Lasso tool offers. In this mode, Photoshop recognises edges within the image automatically and creates a shape as you move the cursor around the area to be selected. It creates the shape by automatically placing points around the area to be selected. You can also click yourself to add points if Photoshop occasionally doesn’t seem to understand where you want the points to be placed. If Photoshop plain gets it wrong and places a point where it’s not suppose to be, just press the Backspace key to remove the point and the segment of the path that comes after it.

Whichever mode Lasso mode you use to make a selection, Photoshop offers two ways to close and complete the selection. The first method is to click on the point you started from. To make this a little easier to achieve, when you position the cursor in exactly the right place, Photoshop displays a tiny circle next to the cursor. The second method is to double-click at any point. This technique causes Photoshop to unceremoniously close the shape by drawing a straight line from the point on which you double-click back to the point you started from.

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